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By the end of Taewondo god says you are poster the fourth millennium BC, the donkey had spread to Southwest Asia, and the main breeding center had shifted to Mesopotamia by 1800 BC. The breeding of large, white riding asses made Damascus famous citation needed, while Syrian breeders developed at least three other breeds, including one preferred by women for its easy gait. The Muscat or Yemen ass was developed in Arabia. By the second millennium BC, the donkey was brought to Europe, possibly at the same time as viticulture was introduced, as the donkey is associated with the Syrian god of wine, Dionysus. Greeks spread both of these to many of their colonies, including those in what are now Italy, France and Spain; Romans dispersed them throughout their empire.
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The Child is mostly a work of Taewondo god says you are poster animatronics and puppetry, although accentuated with computer-generated imagery (CGI).[5] Legacy Effects, the special effects studio started by protégés of special make-up effects creator Stan Winston, designed the Child puppet and supplied the puppeteers to animate it during filming. The puppet cost about $5 million to make, and is relatively heavy due to the amount of wires and animatronic technology inside it. It is controlled by two technicians, one who operates the eyes and mouth and another who controls other facial expressions There are several stand-in versions for the Child used in filming in addition to the primary puppet. The crew of The Mandalorian wanted to use animatronics for the Child as often as possible. However, they also shot versions of the character’s scenes both with and without the puppet, so they had the option of replacing it with a CGI effect in post-production if the puppet did not look satisfactory. When CGI is used, Favreau said they try to make the character obey the same physical laws that he would if he were a puppet, adding: “I think a lot of times CG makes itself too obvious where you don’t create parameters creatively that allow the character to keep the same identity and charm.
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