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Untitled (Red, Orange)Mark RothkoUntitled (Red, Orange), 1968Beyelern the late 1940s, Jackson Pollock started splattering commercial house paint across his canvases in huge, sweeping gestures. These iconic works offer a striking and high-profile example of artists’ increasing experimentation with materials throughout the mid-20th century. Rothko, too, dabbled with untested pigments in his work with various results. In 1962, he incorporated two brand-new organic reds into his palette for a series of murals at Harvard University. One of these pigments, Naphthol, had no ill effects. But Rothko’s other choice, Lithol, eventually doomed the works. Still in use today as a low-cost ink in the printing industry, Lithol red is highly sensitive to light. After several years hanging in the university’s penthouse dining room, Rothko’s deep reds and pinks had faded to light blue. By 1979, the paintings were so damaged that they had to be permanently removed.

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